Brands are moving on from being labels and concepts, packaged and sold to others.

Social brands are collaborative exercises, created from user-centric approaches to business planning embedded into the core of the organisation.
Social business applies emerging technologies and organizational, cultural, and process changes to improve business performance, and in an increasingly connected global economic environment this means collaborative workings that flex together, creating synaptic action potential, right through to the fingertips of customer service.
Social brands are collective experiences too, to some degree or another, where everyone’s memories matter, the sum total of the moments that shape them, that make an impact.
What matters isn’t just how many click throughs or likes a brand gets; a social brand has traction because events happen in which people learn something about themselves, they’re iterative in nature and value is co-created. Gamification is a hot flavour at the moment because these moments that tingle are being recognized as part of the collective experiential value of a brand.
It’s also why data aggregation tools like Intel’s Museum of Me are fascinating. They help us see things in a new way.
As human beings, we’ve an innate need to see ourselves reflected in order to know who we are. This is a fundamental part of how me make sense and meaning, a strand of social anthropology that’s been going on since ancient man first picked up a shiny stone or looked upon its image in water.
As organizations coming together socially, the ‘collective we’ in the social brand has the same urge in it.
For individuals drowning in information, brands can create significant value by curating their stories, the purpose beyond the profit, the place where collaborative management makes sense in exciting and visceral ways.
All brands and organizations have a story in their soul and a whole set of stories within their collective culture. As has been mentioned before in this blog, there’s an opportunity for these stories to be told in highly compelling ways by brands, ways that help them to become distinctively social. Point of differentiation 2.0, if you like.
This Guardian timeline of modern music’s a really good example of the opportunities available in social brand curation and part of the excellent work in data journalism the Guardian data team are doing.
With data dashboard and performance management front and center as part of a brand story, think what your organisation’s next annual report could be like. There are immense opportunities for adding value through social brand curation.
What could your social brand be like if it was based on a wiki of collective experiences that you gather, as a movement? Thta’s the kind of brand people want to be part of, either as a fan, employee or an investor.
Social brand curation’s a good way of creating a contribution economy, where there are levels of sustainable participation built into the brand. It can help deliver the kind of brand experience that can boost value and differentiation around what brands do.
We think how brands tell their stories is going to be a cornerstone of future operational success. Good social brand curation creates compelling and credible stories based on the logic of the data and the magic of the people. What’s your approach to social brand curation?
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(Pic courtesy of NESTA)